RME Fireface 800

 

 

All inputs and outputs can be used at the same time*!. E. g., the instrument input can be used either instead of the line input on the back, or together with it. Even the TRS jack and the XLR socket of the microphone inputs can be used simultaneously. This way, up to 35 signal sources can be connected to the Fireface 800 and recorded onto 28 separate tracks!

Thanks to the DSP-based TotalMix mixer, known from the Hammerfall DSP series, all inputs and outputs can be freely mixed, distributed and routed. Up to 14 completely independent stereo submixes are possible. Each of the mixer's output channels, that is every single submix channel, can be recorded directly, without the need of external cable loops. And there's more: TotalMix can be MIDI remote controlled with any Mackie Control compatible controller.

Thanks to an internal flash memory, all settings including TotalMix are recalled during boot. After making all desired settings, the device works stand-alone even without computer as a submixer, A/D and D/A-converter, headphone mixer, format converter, instrument or microphone pre-amplifier, monitoring mixer and much more.

The Fireface 800 is equipped with SteadyClock™, RME's unique sync and clock technology. With this, the device becomes a sync reference for the whole studio. SteadyClock refreshes clock signals, removes jitter, and takes permanent care of optimal conversion quality, thus guarantees a sensational sound quality, completely independent from the reference clock's quality.

SteadyClock allows the Fireface 800 to control the sample rate freely on its own. The Settings dialog includes a direct choice of the video and audio world's most often used sample rates. Additionally, two faders can be used to set the sample rate freely and in real-time, within the range of +/- 4% and +/- 0.4%.

Via an insert slot on the back, a Time Code Option (TCO) for synchronizing to LTC and video can be added. Thanks to SteadyClock, the Fireface 800 does not only extract absolute positions, but also a very clean low-jitter word clock.

Fireface 800 uses RME's own FireWire techology, heavily optimized for audio purposes. Lowest overhead, special hardware adaptations and a new low latency buffer concept enable a performance and compatibility which has been thought of as impossible until now - at latencies of only one millisecond.

The Fireface 800 has a second port for hub functionality, bi-lingual mode for full FireWire 400 compatibility, and an additional FireWire 400 port. Several Fireface 800 can be used in parallel and at the same time on one FireWire port without any problem.

 

 

Input AD: 8 x 1/4" TRS, 4 x XLR Mic, 1/4" TRS Line, all servo-balanced. 1 x 1/4" TS unbalanced 

Output DA: 8 x 1/4" TRS, servo-balanced, DC-coupled signal path. 1 x 1/4" TRS unbalanced 

Input Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) 

Output Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible) 

MIDI: 1 x MIDI I/O via 5-pin DIN jacks, for 16 channels low jitter hi-speed MIDI 

  

Dynamic range AD: 109 dB RMS unweighted, 112 dBA 

THD AD: < -110 dB (< 0.00032 %) 

THD+N AD: < -104 dB (< 0.00063 %) 

Crosstalk AD: > 110 dB 

  

Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted) 

THD DA: < -103 dB (< 0.0007 %) 

THD+N DA: < -100 dB (< 0.001 %) 

Crosstalk DA: > 110 dB 

  

Input/Output level for 0 dBFS @ Hi Gain: +19 dBu 

Input/Output level for 0 dBFS @ +4 dBu: +13 dBu 

Input/Output level for 0 dBFS @ -10 dBV: +2 dBV 

Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz 

Sample rate externally: 28 kHz - 200 kHz 

  

Frequency response AD/DA, -0.1 dB: 5 Hz - 21,5 kHz (sf 48 kHz) 

Frequency response AD/DA, -0.5 dB: < 5 Hz - 43.5 kHz (sf 96 kHz) 

Frequency response AD/DA, -1 dB: < 5 Hz - 70 kHz (sf 192 kHz) 

Read more about this fascinating unit in the Fireface 800 manual

Driver support

Windows 2000 SP4, Windows XP/XP64: Full ASIO multi-client operation of WDM, MME (not XP64), GSIF 2.0 and ASIO 2.0. WDM (DirectSound) with stereo and multi-channel support. Full hot-plugging. Up to 3 units operational.

Mac OS X (10.3. or up) and x86: Core Audio, Core MIDI. Since 10.4 (Tiger) up to 3 units operational.